Talking & Writing
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Talking & writing:
The Music Thing Modular Reading List
➔
Why We Bleep 8
on AI and the Synclavier ➔
Crux Festival 2025
on designing interfaces and the Workshop System ➔
Robin Rimbaud interview
on using radio to make music ➔
Song Athletic x Music Thing
on becoming an electronics designer ➔
Machina Bristronica 2024
on the Workshop System design process ➔
Why We Bleep 7
on the Workshop System and radio ➔
Why We Bleep 6
on Dyski and David Tudor ➔
Soldering for beginners
How to solder if you've never soldered before ➔
Speaker One
notes on making my first speakers ➔
Why We Bleep 5
on creativity and momentum ➔
TRS Midi Tester
tiny gadget for checking Type A & Type B midi ➔
Why We Bleep 4
on Kraftwerk, field recordings and Spotify ➔
Human-sized musical interfaces
Why we need bigger knobs ➔
Why We Bleep 3
on anechoic chambers and manufacturing costs ➔
Why We Bleep 2
on DX7s and brain-cell synths ➔
Why We Bleep 1
on La Monte Young and chutzpah ➔
Art + Music + Technology
on self indulgence and open source ➔
Synths, giant squid and the military industrial complex
➔
How to design a module
when you've never designed a module before ➔
Everything I know about Spring Reverb
➔
I went to see La Monte Young playing in his New York loft
and you should do the same ➔
The easiest way
to get simple chords from a modular synth ➔
How I recorded an album
in an evening with a lunchbox modular and a python script ➔
Kick drum mods
on a Boss DR-55 drum machine ➔
Slow Electronics
What I learned building a Princeton Reverb amp ➔
Adding CV control to a
Boss PS-2 Delay Pedal ➔
Adding an effects loop to a
Wurlitzer EP-200 Electric Piano ➔
Why do all records sound the same?
➔
Music Thing Modular Reverb Shop
➔
Become a beta tester
(+ occasional updates) ➔
